Percepção e imagem. O exemplo do cinema no contexto da meditação fenomenológica de Merleau-Ponty sobre a experiência perceptiva

Abstract

This paper aims to meditate the importance of cinematographic image in the development of Merleau-Ponty's phenomenology of perception. It will also try to underline such a subject in the later works of the french philosopher. Therefore, we will try to base our considerations upon the ideas of body, space, visible and flesh.